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    k. bench Height‑Adjustable Benching

    A Straightforward Height-Adjustable Benching System.

    k. bench is a height-adjustable benching system, that offers choice and brings exceptional value to the workplace.

     

    k. bench delivers a clean, compact workstation solution with intuitive adjustments. Slim upholstered, laminate or veneer screens offer variable or fixed visual privacy. k. bench modular power system and cable management accessories keep cables out of sight and out of mind.

     

    Winner, Best of NeoCon SILVER, Benching

    Key Benefits

    REFINED DESIGN IN A CONCISE SCOPE. A small, yet adaptable kit of parts accommodates a diverse team and allows for a mix of standard and extended electric height ranges for workstations configured back-to-back and side-to-side. Easily reconfigure or grow teams with built-in base connectors.

     

    PEOPLE-CENTERED DESIGN. k. bench, true to Antenna’s people-centered design approach, focuses on the user experience. Intuitive adjustments, such as a light-touch Toggle Switch and an easy to program Digital Switch, allow users to quickly adjust and get right back to work.

     

    INTEGRATED TECHNOLOGY MANAGEMENT. A simple system that anticipates the long-term needs of cable management upkeep—meaning no visible cables, ever. The central spine of k. bench features a clean, continuous trough for power distribution with an open underside for power and IT access. High Cover provides an all-in-one cable manager for desk cord organization. Quickly zip and contain cables in the Felt Cable Sleeve.

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    Brochures & Product Literature

    User Information

    Pricing Info

    Sustainable Design

    Finishes

    • color k. bench White
    • color k. bench Grey
    • color k. bench Black
    • color Bright White
    • color Micro Sand
    • color Brushed Sand
    • color Micro Grey
    • color Soft Grey
    • color Pumice
    • color Brushed Grey
    • color Fog
    • color Folkstone Grey
    • color Medium Grey
    • color Jet Black
    • color Whitened Ash
    • color Light Ash
    • color Warm Ash
    • color Grey Ash
    • color Natural Maple
    • color Natural Cherry
    • color Medium Cherry
    • color Classic Oak
    • color Walnut
    • color Graphite Pear
    • color Zebra
    • color Silverwood
    • color Smokewood
    • color Barnwood
    • color Maple (V1)
    • color Blond Maple (V1)
    • color Natural (V1)
    • color Light Cherry (V1)
    • color Medium Teak (V1)
    • color Cherry (V1)
    • color Light Walnut (V1)
    • color Dark Mahogany (V1)
    • color Medium Walnut (V1)
    • color Black Oak (V1)
    • color Espresso (V1)
    • color Dove Grey (V1)
    • color White Pine (V2)
    • color Birch (V2)
    • color Maple (V2)
    • color Natural Oak (V2)
    • color Bronze Cherry (V2)
    • color Light Walnut (V2)
    • color Rustic Walnut (V2)
    • color Old English Walnut (V2)
    • color Peacock Green Walnut (V2)
    • color Ebony (V2)
    • color Grigio (V2)
    • color Figured Sycamore (V3)
    • color Pippy Oak (V3)

    Dimensions

    Antenna Design was founded in 1997 by Masamichi Udagawa, a Cranbrook Academy graduate, and Sigi Moeslinger, who holds degrees from NYU and Art Center College of Design. Antenna's people-centered design approach aims to make the experience of objects and environments more meaningful and exciting. Among Antenna’s best known projects are the design of New York City Subway cars and ticket vending machines, JetBlue check-in kiosks and displays for Bloomberg.

    When Knoll set out to create a new open plan office system, Antenna’s experience with the ever-expanding presence of technology, and their expertise in user experience made them an attractive collaborative partner. Together Knoll and Antenna conceived Antenna Workspaces, an innovative open plan system, which reflects Udagawa and Moeslinger’s interest in functional simplicity and their expertise in using design as a tool of social interaction that bridges people and technology.

    Antenna has been recognized with several prestigious design awards, including the National Design Award in Product Design from the Cooper-Hewitt National Design Museum. Both Udagawa and Moeslinger are senior critics in graphic design at the Yale University School of Art.